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全山石（b.1930） 東方女神
布面 油畫(huà)
1979年作
簽名：全山石 （背面）中國(guó)北京中央美術(shù)學(xué)院附中 全山石
出版：《大陸人體油畫(huà)》，臺(tái)灣藝術(shù)圖書(shū)公司，1993年。
《全山石油畫(huà)集》，P98，浙江美術(shù)學(xué)院/香港德藝藝術(shù)公司，1994年。
《當(dāng)代名家油畫(huà)雕塑精選》，P15，浙江美術(shù)出版社。
QUAN SHANSHI(b.1930)ORIENTAL GODDESS
Oil on canvas
Dated 1979
Description: signed; signed again and inscribed on reverse
Illustrated: Figure Oil Painting of Mainland China, Taiwan, 1993.
Quan Shanshi Oil Painting Collection, p.98, Zhejiang Academy of Fine Arts & Hong Kong Deyishe Company, 1994.
Selected Oil Painting and Sculpture by Contemporary Masters, p.15, Zhejiang Fine Arts Publishing House.
130×94cm
RMB: 500,000-600,000
全山石，1930年生于浙江。1950年考入杭州國(guó)立藝專（后改為中央美術(shù)學(xué)院華東學(xué)院），學(xué)習(xí)西洋畫(huà)與中國(guó)畫(huà)。1954年赴蘇聯(lián)列寧格勒列寧美術(shù)學(xué)院油畫(huà)系學(xué)習(xí)，師從梅爾尼柯夫、阿歷希尼柯夫、烏加洛夫等教授。1960年回國(guó)后任教于浙江美術(shù)學(xué)院（即中國(guó)美術(shù)學(xué)院），曾任油畫(huà)系主任、副教授、教授、院教務(wù)長(zhǎng)等職，并主持油畫(huà)系第三工作室?，F(xiàn)為中國(guó)美術(shù)學(xué)院教授，國(guó)家藝術(shù)教育委員會(huì)委員，全國(guó)美術(shù)家協(xié)會(huì)會(huì)員，浙江美術(shù)家協(xié)會(huì)常務(wù)理事，浙江油畫(huà)家協(xié)會(huì)會(huì)長(zhǎng)等。代表作有《英勇不屈》、《井岡山上》、《婁山關(guān)》、《重上井岡山》、《歷史的潮流》等。全山石的作品經(jīng)常參加國(guó)內(nèi)外畫(huà)展，并被美術(shù)館、博物館收藏。出版有《全山石油畫(huà)選》、《全山石油畫(huà)肖像選》、《全山石新疆寫(xiě)生選》、《全山石素描選》等。譯著有《德加素描》、《賽洛夫輿富魯貝爾的素描》、《伊買(mǎi)、席勒的藝術(shù)》及《傳統(tǒng)油畫(huà)技法》等。1995年4月東方藝術(shù)基金會(huì)在香港大會(huì)堂展覽館舉辦了“全山石油畫(huà)展”。
Quan Shanshi was born in Ningbo of Zhejiang Province. He is the descendant of Quan Ziwang, a well-known historian of the Qing Dynasty. In 1950, he entered in Hangzhou National Art College, and from 1954 to 1960, at the Repin Academy of Fine Art in Leningrad, Russia. Subsequently, he devoted himself to art education and is currently a professor of the China National Academy of Fine Arts. During the 1960s and 1970s, he engaged in historical paintings. Between the late 1970s and early 1980s, he went to Xinjiang eight times, teaching and living with the local people. There he made a series of paintings depicting life and custom of the minorities. His works are exhibited at home and abroad. His translation included Sketches of Edgar Degas, Sketches of Selov and Frubel, Art of Schiller, and Technique of Traditional Oil Painting, etc.